Lead Lighter
House Special, 2015
Lighting and layout revisions. Project also includes this spot, which I lit, as well as this spot, for which I supervised.
Tag Archives: features & commercials
House Special, M&Ms, Eating in Bed (Closet)
Lead Lighter, Compositor
House Special, 2015
Lighting and compositing, also including this spot for the Eating In Bed campaign.
House Special, Cedar Fair
Lead Lighter
House Special 2015
Rugarou
Lighting for entire spot, along with this one and another that was pulled in post. Supervision for lighting of this one.
This project was one of my favorite lighting challenges to date. The dark and edgy feeling, coupled with a willingness (perhaps eagerness even!) to stray from light’s real-world limitations in order to set the mood and tone, allowed for a truly creative collaboration between the director, the art department, the compositor, and myself.
Lead Lighter
House Special, 2015
Wonderland
Lighting and layout revisions.
House Special, M&Ms, Eating in Bed
CG Feature Reel
CG Lighting & Compositing for Feature Films reel
lighting & compositing, details below
CG lighting and compositing reel, feature films
Shots from the following studios and films included:
Pixar Cars2 lighting with proprietary software, compositing with Shake
Dreamworks Bee Movie, Monsters Vs. Aliens,Kung Fu Panda, Shrek: Forever After lighting and compositing with proprietary software
Digital Domain Pirates of the Caribbean: At World’s End lighting with Maya, preliminary compositing with Nuke
Sony Pictures Imageworks Monster House lighting with Maya, compositing with proprietary software
Blue Sky Studios Robots, Ice Age: The Meltdown lighting with proprietary software, compositing with Shake
Reel Breakdown
Shrek: 4ever After (Dreamworks) : shot lighting & compositing
Cars 2 (Pixar) : shot lighting & compositing
Monsters V Aliens [2 shots] (Dreamworks) : shot lighting & compositing
Shrek: 4ever After (Dreamworks) : shot lighting & compositing
Monsters V Aliens (Dreamworks) : shot lighting & compositing
Robots (Blue Sky Studios) : shot lighting & compositing
Pirates of the Caribbean (Digital Domain) : shot lighting
Shrek: 4ever After (Dreamworks) : shot lighting & compositing
Cars 2 (Pixar) : shot lighting & compositing
Kung Fu Panda (Dreamworks) : shot lighting & compositing
Shrek: 4ever After (Dreamworks) : look development of ball, sub-sequence lead for Donkey and Puss’n’Boots on ball
Cars 2 [2 shots] (Pixar) : shot lighting & compositing
Monsters V Aliens (Dreamworks) : fx look development, shot lighting & compositing
Shrek: 4ever After (Dreamworks) : shot lighting & compositing
The Bee Movie (Dreamworks) : shot lighting & compositing
Kung Fu Panda [6 shot] (Dreamworks) : fx look development, shot lighting & compositing
Monsters V Aliens [2 shots] (Dreamworks) : shot lighting & compositing
Pirates of the Caribbean [2 shots] (Digital Domain) : shot lighting, material augmentation
House Special, Boom Beach, Speech
Lighter
House Special
I lit the shots looking at the crowd on the beach from the POV of the main speaker.
times: :19, :24, :30, :36, :39, :43, :53
2015